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Fashion, Identity, Image
How has the fashion industry responded to turn-of-the-millennium non-binary identities?Do they have a supportive or exploitative relationship with queer, trans and ageing subjects?Fashion, Identity, Image unpacks these questions and many more in relation to clothing and representation, identity and body politics in British, European and American culture between 1990 and 2020.Jobling, Nesbitt and Wong explore issues of intersectionality and inclusivity through groundbreaking shows, including Maria Grazia Chiuri’s ‘We Should All Be Feminists’ catwalk show for Dior (Spring-Summer 2017), Alexander McQueen’s ‘The Widows of Culloden’ collection (Fall-Winter 2006), and the role of transgender models such as Oslo Grace since 2015.Looking to the future of our relationship with fashion, there's also an investigation of the android as a redemptive figure in Alessandro Michele’s cross-cultural cyborg collection for Gucci (Autumn-Winter 2018/2019) and the impact of the ageing population with analysis of age and memory in work such as Magali Nougarède’s Crossing the Line (2002), and pleasure and morality in fashion publicity since the 1990s for the likes of Calvin Klein, D&G and American Apparel.
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Social Class in Later Life : Power, Identity and Lifestyle
Social class in later life: Power, identity and lifestyle provides the most up-to-date collection of new and emerging research relevant to contemporary debates on the relationship between class, culture, and later life.
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Fashion, Culture, and Identity
What do our clothes say about who we are or who we think we are?How does the way we dress communicate messages about our identity?Is the desire to be "in fashion" universal, or is it unique to Western culture?How do fashions change? These are just a few of the intriguing questions Fred Davis sets out to answer in this provocative look at what we do with our clothes--and what they can do to us.Much of what we assume to be individual preference, Davis shows, really reflects deeper social and cultural forces.Ours is an ambivalent social world, characterized by tensions over gender roles, social status, and the expression of sexuality.Predicting what people will wear becomes a risky gamble when the link between private self and public persona can be so unstable.
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Identity
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Identity, Personal Identity and the Self
This volume collects a number of Perry's classic works on personal identity as well as four new pieces, The Two Faces of Identity,Persons and Information,Self-Notions and The Self, and The Sense of Identity.Perry’s Introduction puts his own work and that of others on the issues of identity and personal identity in the context of philosophical studies of mind and language over the past thirty years.
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Dress, Fashion, and National Identity in Puerto Rico : Tainos to Beauty Queens
Analyzing dress, costume, and fashion in Puerto Rico, this collection utilizes case studies that explore national identity and nation formation as well as past and current practices in Puerto Rican visual culture. As the last Spanish-speaking colony with an ever-growing diaspora, Puerto Rico presents a unique opportunity to study national identity and nation formation through dress and fashion.In Dress, Fashion, and National Identity in Puerto Rico, José Blanco F. and Raúl J. Vázquez-López combine new material and previously published essays that review diverse aspects of visual culture in Puerto Rico. The book is divided into three sections that define and redefine the terms "dress", "costume", and "fashion" through case studies that include the resurgence of native Taíno imagery, the Young Lords’ resistance through dress, the iconic Jíbaro peasants, festival and dance costumes, and the fashion of Puerto Rican Miss Universe contestants.This much-needed addition to the literature around fashion in Latin America offers incisive and informed discussion for students and scholars of dress and fashion, identity, Latin American studies, and all those interested in the history and visual culture of this fascinating country.
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Fashion and Motherhood : Image, Material, Identity
Motherhood, whether achieved through biological or other means, is not a rare experience; dressing oneself, even less so.The two phenomena are intimately linked, as both occur on and to the private body, and are also fully subject to social pressures and the changing tides of public opinion.They also, for anyone who experiences motherhood, define one another and work together to shape an individual’s identity and place in their culture. This rich collection explores the essential question of how motherhood and fashion interact, interrogating their relationships to power, misogyny, temporality, longing and embodiment, among other themes.The 13 essays examine representations on film, in popular print and literature; they use images, narrative and material evidence from the past to excavate the historical cleavages in how mothers have been expected to hide, display, share and sacrifice their bodies.An international range of scholars explores the 19th to the 21st centuries, tracing how fashion and motherhood have operated as powerfully interdependent experiences and continue to determine how women are judged and corralled, yet also find meaning, connection and strength.
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Understanding Identity
Identity matters, but it matters in different ways at different times.Identity is a buzz word that we often hear about in all sorts of contexts, ranging from the concern with the self expressed through therapy, to identity crises that operate on the global arena, especially post 9/11. This book charts some of the most important identity stories that make up people's lives and inform debates within the social sciences.It is organised around the big questions: How can we feel we belong in a constantly transforming, uncertain world?Can we exercise control in shaping our identities? Does an emphasis on the fluidity of identity produce another set of uncertainties?What is the link between the personal and the social in the formation of identities? Each chapter explores personal and collective identities drawing on varied examples highlighting the importance of gender, race, and ethnicity, embodiment and place in the production of meanings about who we are. Understanding Identity is about debates located within a history of understanding the self and of belonging, developing an argument about thinking through the tension between theories based on fixity and fluidity, drawing on an extensive range of identity stories, from different empirical sources as well as the long history of theorising identity.
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